The last time I painted was back in 2018, and at first, I felt this deep uncertainty about whether I could—or even wanted to—reconnect with an artistic style that had been dormant for so long. On top of that, an absolute flood of ideas hit me all at once, leaving me wanting to execute everything at the exact same time.
I hand-painted 25 Christmas ornaments for a creative challenge—going for a super vibrant, pop-art aesthetic. I began using cyanotype to capture the shifting shadow patterns dancing around our house, developed a series of candle holders using air-dry clay, and, for a while, became completely obsessed with the tactile practice of crafting textured pieces out of Korean Hanji paper.







Reinvention is beautiful and exhilarating, but my true artistic home will always be acrylic on wood. For this creative renaissance, I knew I had to trace my steps right back to where I left off. Exactly there. I unearthed the very last piece of wood—one where I had started a Japan tribute back in 2020 but never finished. I sanded it all the way down, stripping it to the deeply absorbed stain, and simply began.






































































































































